Alec Stoddard

Who am I?

he/they
I’m a genderqueer trans performance artist exploring themes of identity construction, body sovereignty, and kinesthetic strategies of queer survivance through the spectacular body. Since 2020, I’ve investigated the relationship of performer to object, using my body in various stages of modification and its changes in response to outside forces, both tangible and intangible, organic and systemic.Self portraiture and glitched editing, 2024
A cool-toned headshot of Alec, a light skinned queer person, looking directly into the camera with a neutral facial expression and sporting a silver septum ring. Their dark blue suit jacket has a rough-looking texture and their white dress shirt reveals his chest, neck, and face tattoos. His brown hair is styled in a curly mullet, the sides closely shaved. The background is blue and has glitched slices of the same image appearing from behind Alec's unaltered head and shoulders.

Where can you find me?

Irish Aerial Dance Fest Letterkenny, Co. Donegal, Ireland July 15 - 28, teaching chainsSummer Circus Celebration Oakland, California, USA August 9 - 11, teaching chains and bullwhipsSweet Retreats Puerto Escondido, Oaxaca, Mexico
October 26 - November 2, week-long chains retreatPrivates available in-person in Los Angeles, California or remotely (including asynchronous) via contact form belowPhotography by Rowan Littell, Haphazard Imagination, 2023
A live performance photo of Alec kneeling beneath the two chain loops circling over head. His face is turned away from the audience with one arm reaching forward to draw into the crouched shape and the other lifting back. The cool blue lighting illuminates their dark costuming and light, tattooed skin.

Why chains?

I was drawn to work with chains in 2016 because of the support and weight elements. Being hung in two independently swiveling loops allows them to support my body, and their weight provides excellent proprioceptive feedback. Over time, I realized these elements allow me to create movement using a bottom-up process, leading with individual tactile and equilibrative cues toward a broader shape or phrase. I was tasked with creating from sensation, rather than syllabus, maintaining the potential of unconditional pleasure decoupled from normative expectations. Put simply, it centers me and my desires.Photography by Rowan Littell, Haphazard Imagination, 2023
A live performance photo of Alec balancing on one of the chain loops while the free one circles him. They are supported upright on one hip, with their head thrown back dramatically and locked between the two sides of the loop. His arms are open wide in an expansive gesture and the lighting reflects cool blue off of his darkly textured costume and mask.

What is my work about?

The sensation-based partnership I employ with looped chains approaches circus as a physical thinking exercise and the acrobatic body as a contemplation for euphoria-led guidance. With a diverse onstage background ranging from concert bassoonist to fetish artist to finally aerialist in 2013, my work has consistently straddled the worlds of low-brow underground and contemporary fine art. My current work in progress, QUIET, is a multidisciplinary collaboration intersecting queer survival themes of disguising risk and code-switching with bliss-centered body autonomy and transgression as a mode of liberation. QUIET reflects on the multitudes of the queer body: “the conditioned body, the spiritual body, and the body I am destined to be.” -Jose Richard AvilesPhotography by Anna Cicone, 2023
A studio portrait of Alec from the side, draped face-down over aerial chains. He is wearing dark red pants and a cream-colored shirt, and their bodyweight is supported on one hip in a looped chain and his chest in the other. Their face is turned toward the camera with downcast eyes and hands rising up to frame his face. With knees bent and feet flexed, they contract over the chains in a ball shape, meeting elbows to knees.

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